There was a
striking moment at a recent London Livery Company event when ‘the Master
Carpenter’ was called forward - striking at least for those familiar with and
fond of the prayer (either produced by or at least popularised by the Iona
Community):
O Christ,
the Master Carpenter,
who at the
last, through wood and nails,
purchased
our whole salvation;
wield well
your tools in the workshop of your world,
so that we,
who come rough-hewn to your bench,
may here be
fashioned to a truer beauty of your hand.
We thought
of it again the other day when a visitor mentioned the theme of her church’s
summer Holiday Club as being ‘the Master Gardener’, so I had a first go at
rewriting the prayer for my own benefit:
Risen
Christ, first taken for a gardener,
who had by
then, through tears and sweat,
tilled our
whole salvation;
wield well
your tools in the wastes of your world,
so that we,
who are sown in rough ground,
may here be
nurtured to a fruitful beauty by your hand.
So much
depends on context.
The Iona
Community began in the 1930s with trainee Scots Presbyterian Ministers working
alongside unemployed Glasgow craftsmen, just as Anglican Industrial Mission
began in the 1940s in Sheffield factories from which the Church of England felt
fatally disconnected, and the Catholic Church established a feast of Joseph the
Worker in the 1950s (on May Day, which was being widely celebrated as
International Workers’ Day). So the fresh
and pressing images included God as craftman, Christ as master carpenter, the
world as a workshop, and our Christian living as being forged.
Meanwhile, most
of a century later, it is ‘master gardener’ which caught our attention; my wife
recalled a recent radio item which suggested precisely that that the job of
parents is more like being a gardener than a carpenter, and I recalled a recent
article suggesting that images for training wild horses has shifted from those
involving things like ‘breaking in’ to those involving things like ‘horse
whispering’. Our sympathy moves towards
images of nurture and fostering growth.
We know the biblical image of God as potter re-shaping at will, but we
prefer the more common New Testament image of God as sower and patient farmer.
The pictures
are the details from my new favourite window which I’ve used on a recent
service sheet (which is why they are in black and white).
Added 3rd
September:
I’ve now
seen reviews of Alison Gopnik’s The Gardener and the Carpenter which is clearly
what was being discussed on the radio recently.
A better
written version of this post might well have had the same title.
It would
have highlighted her plea that bringing up children should be a form of love rather
than a form of work, a form of care rather than a form of goal-orientated
labour.
It would
have been clearer that this seems to be closer to how God works with us (and
might have gone on to suggest that church ‘mission statements’ and ‘growth
strategies’ ought to be closer to this too).
It would
have been clearer that there is an vital and separate point about the way the
cultural assumptions around us seduce us (the dominance of narrow targets is
one side of this coin, and the possibility that future generations will see an emphasis
on growth through playful exploration and messy results as being equally
cultural conditioned might be the other side of the same coin).
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