There is a
story, not widely retold, which seems almost familiar in a world in which an
absolute monarch can make potentially disruptive members of the royal family
disappear, in which dictators can achieve extra judicial executions abroad, in
which the commercially powerful can normalise their own sexual exploitation of
others, in which mafias can prolong blood feuds.
A strong
aggrieved minority group saw an opportunity to lynch the family of a defeated ruler
who they said had once sought their genocide.
The new tyrant was happy to collude; he might have been keen both to win
their public favour and to be able to eliminate potential rivals in the
process. Seven men were strung up. Two were sons of the defeated ruler by one of
his sex slaves; her potential use by others had been bid for as soon as he had
fallen from power. Five were grandsons
of the defeated ruler, whose mother the new tyrant had once been promised as a
wife but who had then married another man becoming the mother of the sons the new tyrant
was now able to have slain.
The seven
bodies were left exposed, destined to be slowly devoured as a spectacle. But one of their endlessly exploited mothers set
camp at the foot of the gallows and day after day drove off the wild animals
which approached. So the new ruler felt
obliged to do one dignified thing. He
gathered the human remains, and also the remains of both the defeated ruler and his much
loved son, and arranged their proper burial.
And the
re-telling of this story centuries on was recast as one of non-violent
resistance of the exploited and abused - risky dignity in the face of
oppression, shaming the tyrant into treating the oppressed as
human just this once .
Only a possible hint in the story, that human sacrifice might ensure a good harvest,
seems strange to us – the new tyrant’s desperation at a prolonged famine had
led him to consult with the potential victims of his predecessor’s supposed
attempted genocide. It was also actually
a threshing floor which he would soon buy as a place on which to build an altar, the site for a future sacred shrine for his own regime, bringing a plague to
an end by doing so.
The story is
in 2 Samuel 21. One of the options for
an Old Testament reading at a principal Sunday service this time next year is
to read over seven weeks some episodes of the regime of this new tyrant (King
David) in 2 Samuel, but this story is never included (nor, more strangely, that
of the first foundation on the site of the Jerusalem Temple). It is also another of the passages skipped
over altogether in the pattern of daily readings for Morning and Evening Prayer
as well (although 2 Samuel 24’s account of David buying the threshing floor is
read at one service each year). So there
is no particular reason why even the most diligent daily church attender should
be aware of it.
This is
despite the way there have been periods when the story has been better known by
Christians. Their interpretation of the
Hebrew scriptures was sometimes focused on any hint they could find of a story
which paralleled that of Jesus. So they
noticed ‘we have no right to put anyone to death’ (2 Samuel 21.4 and John
18.31) and ‘he handed them over’ (2 Samuel 21.9 and John 19.16) and saw this as a deliberate foretaste of Jesus’ execution, also on a hill.
It is striking to me that the nineteenth century French engraving by
Gustav Dore, which I found on WikiCommons to illustrate this post, shows the
lynching to be by crucifixion, somehow reflecting Mary at the foot of Jesus’ cross.
A different
picture of Rizpah driving off birds of prey popped up in a biblical art social
media stream the other day, so she is certainly not totally over looked today. It was what made me remember what was actually Allan Boesak (the
South African Reformed Church minister, liberation theologian and
anti-apartheid campaigner) reflecting on the story in a ‘Biblical Texts in
Context of Occupation’ collection.
So, once again, I see Rizpah is each mother, wife or daughter of the disappeared or assassinated or casually state-murdered standing out for the dignity of their sons’ lives which mattered and matter, taking what is sometimes the great risk of shaming the overwhelmingly powerful.
So, once again, I see Rizpah is each mother, wife or daughter of the disappeared or assassinated or casually state-murdered standing out for the dignity of their sons’ lives which mattered and matter, taking what is sometimes the great risk of shaming the overwhelmingly powerful.