I’ve come across the same story three times now.
The most recent encounter came because we have just caught
up with the new phenomenon of live streaming opera into local cinema. We watched Don Giovanni from the Royal Opera
House at the John Whitgift Film Theatre in this parish last week and then Peter
Grimes from the English National Opera at the Parkway Cinema in Cleethorpes at
the weekend.
The music and plot of Don Giovanni I knew well, but that of
Peter Grimes I was only vaguely aware. I
discover that Britten was inspired by a poem by Crabbe (who turns out to have
been born in Aldeburgh), which I now find includes lines like these
Peter had
heard there were in London then –
Still have
their being! – workhouse-clearing men,
Who,
undisturbed by feelings just or kind,
Would parish
boys to needy tradesmen bind;
They in
their want a trifling sum would take,
And toiling
slaves of piteous orphans make.
Such Peter
sought, and when a lad was found,
The sum was dealt with, and the slave was bound.
In the poem, three of Grimes' apprentices then die in quick
succession from a variety of maltreatment and neglect. The opera turns on just such a progress.
Reading the poem for the first time this week took me back
to my first encounter with the story in Distant Water, CPO Media’s 2011 account
of Grimsby’s fishing fleet, which includes this (referring to a period fifty
years or so after Crabbe’s poem):
Smack owners began to take advantage of a plentiful source
of labour, apprenticing young, poor and underprivileged boys from workhouses,
reformatories and charitable institutions across the country, focusing
particularly on poverty stricken urban areas...
By the 1860s the system begun to attract criticism. Complaints of malnouishment and physical
abuse or young fisher-lads was becoming widespread. In 1865... the skipper and first mate of... a
Hull fishing smack were prosecuted for the mainslaughter of their 13 year-old
apprentice... One of the most controversial aspects of the apprentice system
was the number of young boys imprisoned... for refusing to go to sea.
Between first reading Distant Water and reading Crabbe’s
poem, I came across one specific example of what appears to be the same story
when I was putting together material about those commemorated on our First
World War memorials.
The James Rowley of a Reserve Battalion of the Lincolnshire
Regiment buried in St Michael’s churchyard in 1918 was drowned in a bathing
accident off Chapel St Leonards, but his father, also called James Rowley, also
caught my attention. He appears to have
come to Grimsby in just such an apprentice scheme, and then to have worked on
the edge of this parish where the things Grimsby wanted to marginalise were
situated: Fever Hospital, Night Soil Ground, Pyewipe Chemical Works (sewage)
and Oil and Manure works (fish products).
We could track him at ten year intervals in the census
returns. In 1871 he is a 7 year old in
the Biggleswade Workhouse with his unmarried mother and two younger brothers. In 1881 he is a 17 year old fisherman (aboard
the Emma on census day). In 1891 he is 27 and living a short distance
from the docks with a young family including four month old son James. In 1901 he is 37 and ‘a general labourer at
manure works’. In 1911 he is 47 and had
moved a short distance into the terraced housing developing for the first time
in Little Coates parish; father and son were both listed as ‘labourer at
chemical manufacturer’.
2 comments:
Peter.
My Grandfather, William Henry Tappin was sent from the Guildford Workhouse in 1890 age 12 and indentured to the Great Grimsby Ice Co as a fisherman.
David Tappin.
Thanks for this. The story must lie behind many of the long-term Grimsby families such as yours. As I expect you know, it appears to go back the Poor Law framed as log ago as the sixteenth century: those who are an expense on the parish should be put into a useful trade for their own good (they will not be paupers all their life) and for the parish's good (it will not have to support them all their lives); so those reaching a school leaving age like 12 in the nineteenth century and an industry hungry for young recruits seemed to be made for each other.
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